The Devil Wears Prada 2 Uses Human-Made AI-Style Art

Multiple outlets report that a sequence in the film The Devil Wears Prada 2 includes imagery presented in the story as AI-generated, but the images were created by human artists. Per TheWrap and Deadline, artist Alexis Franklin posted on Instagram that she "got to paint this at the request of David Frankel for The Devil Wears Prada 2 (it shows up in the movie)" and added, "Absolutely no disrespect to Queen Meryl, but this is something I would've painted in my free time." Deadline, Yahoo/CA and TimesNow publish additional reporting that other commissioned artworks in the film were deliberately made to emulate the look of AI-generated memes and trolling visuals aimed at the character Miranda Priestly.

Industry-pattern observations: filmmakers and prop designers frequently adopt visual idioms from digital culture to lend authenticity to on-screen social-media content. Creating imagery that intentionally mimics AI-generated artifacts involves compositional choices-exaggerated textures, synthetic color palettes, and meme-style captioning-rather than invoking any single model or API. The news coverage does not identify any model or tool used because the reported images were hand-produced rather than output from a specified generative system.

the story intersects with broader debates about AI in creative work and media authenticity. Reporting frames the film's use of "AI-looking" art as a narrative device that critiques digital culture while relying on human labor to produce the effect, and social-media reactions quoted by Deadline and TheWrap highlight audience relief and praise when the imagery was revealed to be hand-made. For practitioners, the episode underscores how stylistic cues associated with AI generation have become culturally legible assets filmmakers may choose to emulate for storytelling.

Observers should track whether other productions follow this pattern of commissioning human-made "AI-style" visuals as a deliberate aesthetic choice, and whether prop and VFX credits begin naming individual illustrators and painters for meme sequences. Reporting to date is limited to artist disclosures and press coverage; none of the scraped sources identify commercial generative models used on set because the articles say the images were painted by humans. If studios release production notes or credits, those documents will clarify scope and attribution for practitioners interested in rights, compensation, and provenance of culturally resonant visual assets.